/ AUDIO PORTFOLIO
Organised by what the scene needs to feel.
Not by genre. Not by format. Each piece is catalogued by the specific emotional intent it was composed for.
A director doesn't come looking for "action music." They come with a scene where a character crosses a room and something has to break inside them. That's an emotion, not a genre.
Why emotion, not genre.
Each piece documents the scene context and the emotional function it was written for. Genre doesn't define the music — the scene does.
Emotional categories
Intimacy
Tension
Music for the moments when emotion can't be put into words.
Music that builds discomfort without resolving it. The audience knows something is about to happen before it does.
Action
Atmospheres
Action isn't noise. It's rhythm with direction. Every hit has a reason within the scene.
Music for the space between words. For what the character doesn't say.
Drama
Music for character transformation. The moment where something breaks or something is born.
Got a scene in mind?
The starting point is always the scene, not the budget. If you know what the moment needs to feel like, we have somewhere to begin.