
Atmospheres
Every piece here was written for scenes where what doesn't sound matters as much as what does. Loss, longing, grief in a low voice.
The same cello can mean loss or it can mean waiting.
EMOTIONAL INTENT
These pieces are written for the space between words. For what the character doesn't say.
Does your scene live in this register?
Write with the context of your project. The first question is always about the scene, not the budget.
